Fur Traders Descending the Missouri | George Caleb Bingham | 1845

One of Bingham's most famous paintings, this work is owned by the Metropolitan Museum of Art in New York. Painted around 1845 in the style called luminism by some historians of American art, it was originally entitled, French Trader, Half-breed Son. The American Art Union thought the title potentially controversial and renamed it when it was first exhibited. It reflected the reality of fur trappers and traders frequently marrying Native American women in their territories; in Canada the ethnic Métis people have been recognized by the government as a distinct group with status similar to First Nations. The painting is haunting for its evocation of an era in American history—note, in particular, the liberty cap worn by the older man. A bear cub seated at the end of the boat is secured by a chain.

Frame:

Created from high-quality wood, milled with simple clean lines and presented with a satin finish. Includes an off-white mount that will not discolour or fade with age.

All framed prints feature our premium fine art paper. This is a museum-quality paper which reproduces photography and artworks with exceptional tonality and renders sharp details with consistent flatness and accuracy.

Print: 

For the matted / mounted prints we use a thick 1.4mm window mount cut from premium, textured mountboard. All mounts are "conservation grade", FSC certified, 100% acid free, and will not discolour or fade with age.

• Simple, elegant design
• Premium, fine art paper with a gently textured surface
• Handmade by specialist picture framers
• FSC certified off-white mat / window mount
• Delivered ready for hanging