Fur Traders Descending the Missouri | George Caleb Bingham | 1845
One of Bingham's most famous paintings, this work is owned by the Metropolitan Museum of Art in New York. Painted around 1845 in the style called luminism by some historians of American art, it was originally entitled, French Trader, Half-breed Son. The American Art Union thought the title potentially controversial and renamed it when it was first exhibited. It reflected the reality of fur trappers and traders frequently marrying Native American women in their territories; in Canada the ethnic Métis people have been recognized by the government as a distinct group with status similar to First Nations. The painting is haunting for its evocation of an era in American history—note, in particular, the liberty cap worn by the older man. A bear cub seated at the end of the boat is secured by a chain.
Print:
A premium quality heavyweight (200gsm) fine art print material with a smooth, clean finish. This museum quality paper is extremely consistent and works perfectly with large, full colour graphics or illustrations. The matte finish emphasizes different highlights and tones in the source artworks; helping to create stunning works of art.
- All prints include a .25 inch white border to ensure space for framing.
Our Eco Credentials Include:
- FSC approved or sustainably sourced paper
- Printed using water based inks
- Local fulfilment reduces carbon emissions
- Contains no plastic
Sizes:
14 x 11 Inches = 35.5 cm x 28 cm
20 x 16 Inches = 50.8 cm x 40.6 cm
